Guitar History
Hear the Guitar • Hear Flute & Guitar Duo
The guitar's roots are in Spain. Realistically, it cannot be traced back further than the 15th Century. It is thought to have been invented by the people of Malaga. This early instrument was a "four course" guitar, from which the ukulele is derived. The first guitars were very small, and were originally strung with four pair of strings. Each pair was call a course.
During the Renaissance, the guitar never had the respect the lute enjoyed. It was not considered a serious instrument. The first publication for guitar is thought to have been Alonso Mudarra's "Tres Libros de Musica en Cifras para Vihuela." Eventually, the guitar began to attract players, more publications and music began to appear.
During the During the Baroque period, A fifth course was added. Even more music became available. It's repertoire and the complexity of the music increased.
The fifth course was tuned in one of three ways.
At the end of the Baroque period two significant changes were made. The double strings were replaced by single strings, and instead of five pari, there were six single strings.
During the Classical period there were many publications, composers and performers. Fernando Sor, Mauro Guilliani, Matteo Carcassi, Fernando Carulli and many others wrote music, published methods and performed concerts. The guitar was very popular and guitar concerts were common.
Sor played the guitar as a solo instrument at the London Philharmonic Concert in 1817. In memoirs, George Hogarth stated: "He astonished the audience by his unrivaled execution." Paganinni was also active, playing and writing for the guitar as well as the violin. Stradivarius made guitars as well as violins.
At the end of the 19th century, the guitar had fallen out of favor, but was resurrected by Francisco Tarrega. His best piece in my opinion is the now very famous "Receurdos De La Alhambra." He did few public performances and chose to perform for friends at his home. He did compose, and he wrote a method for teaching guitar. He also transcribed many pieces of music for the guitar. Segovia was one of many guitarists that were influenced by him. Tarrega began the tradition of playing with the fingernails.
Up until this point the instrument itself was small and narrow. Antonio de Torres (1817 - 1892) worked with the design and construction of the guitar. He increased the size and experimented with anything that would improve the sound, and was especially interested in volume. He was the first maker to use "fan" bracing underneath the top. He once built a Guitar with a spruce top and paper mache back and sides to prove his theory that it was the top that produced most of the volume. He was the father of the modern guitar.
Some well known composers who played the guitar are Carl Maria Von Weber, Rossini and his wife, Verdi, and for many years Franz Schubert did his composing on his guitar which hung over his bed. He didn't have a piano at the time. Berlioz also composed the guitar.
Segovia performed, transcribed, taught and discovered a tremendous amount of music. He also encouraged many composers to write for the guitar. He was the first person to perform in a concert hall... Before Segovia, people believed this could not be done.
Although Segovia did all these things, the real debt that we owe to him is that of making the guitar truly a world instrument. By traveling and performing throughout the world, he brought respect and recognition to the instrument.
Nylon strings were a big improvement over gut strings. They replaced gut in 1946.
Today there are many concerts of guitar music. There are many societies and magazines devoted to the guitar.
Here follows a brief Timeline
The History of the Guitar
The guitar is a plucked stringed musical instrument that probably originated in Spain early in the 16th century, deriving from the guitarra latina, a late-medieval instrument with a waisted body and four strings. The early guitar was narrower and deeper than the modern guitar, with a less pronounced waist. It was closely related to the vihuela, the guitar-shaped instrument played in Spain in place of the lute.
The guitar originally had four courses of strings, three double, the top course single, that ran from a violin-like pegbox to a tension bridge glued to the soundboard, or belly; the bridge thus sustained the direct pull of the strings. In the belly was a circular sound hole, often ornamented with a carved wooden rose. The 16th-century guitar was tuned c-f-a-d', the tuning of the centre four courses of the lute and of the vihuela.
From the 16th to the 19th century several changes occurred in the instrument. A fifth course of strings was added before 1600; by the late 18th century a sixth course was added. Before 1800 the double courses were replaced by single strings tuned E-A-d-g-b-e', still the standard tuning.
The violin-type pegbox was replaced about 1600 by a flat, slightly reflexed head with rear tuning pegs; in the 19th century, metal screws were substituted for the tuning pegs. The early tied-on gut frets were replaced by built-on ivory or metal frets in the 18th century. The fingerboard was originally flush with and ended at the belly, and several metal or ivory frets were placed directly on the belly. In the 19th century the fingerboard was raised slightly above the level of the belly and was extended across it to the edge of the sound hole. In the 19th century the guitar's body also underwent changes that resulted in increased sonority. It became broader and shallower, with an extremely thin soundboard. Internally, the transverse bars reinforcing the soundboard were replaced by radial bars that fanned out below the sound hole. The neck, formerly set into a wood block, was formed into a brace, or shoe, that projected a short distance inside the body and was glued to the back; this gave extra stability against the pull of the strings.
The 19th-century innovations were largely the work of Antonio Torres. The instrument that resulted was the classical guitar, which is strung with three gut and three metal-spun silk strings. Nylon or other plastic was later used in place of gut.
Among variant forms of the guitar are the 12-stringed, or double-course, guitar, and the Mexican jarana and the South American charango, both small five-course guitars. Lyre-shaped guitars were fashionable in 19th-century drawing rooms. Other forms of the guitar include the metal-strung guitar played with a plectrum in folk and popular music; the cello guitar, with a violin-type bridge and tailpiece; the Hawaiian, or steel, guitar, in which the strings are stopped by the pressure of a metal bar, producing a sweet, gliding tone; and the electric guitar, in which the tone depends not on body resonance but on electronic amplification.
The guitar grew in popularity during the 17th century as the lute and vihuela declined. It remained an amateur's instrument from the 17th to early 19th century. A few virtuoso guitarists, however, became known in Europe, among them Gaspar Sanz (fl. 1674), Robert de Visée (c. 1650-1725), Fernando Sor (1778-1839), and Joseph Kaspar Mertz (1806-56). Modern classical-guitar technique owes much to the Spaniard Francisco Tárrega (1852-1909), whose transcriptions of works by Bach, Mozart, and other composers formed the basis of the concert repertory.
In the 20th century, Andrés Segovia gave the guitar further prominence as a concert instrument, and composers such as Heitor Villa-Lobos and Manuel de Falla wrote serious works for it; others (e.g., Pierre Boulez) scored for the guitar in chamber ensembles.
The guitar is widely played in the folk and popular music of many countries. In jazz ensembles it is part of the rhythm section and is occasionally played as a solo instrument. In popular music the guitar is usually amplified, and ensembles frequently include more than one instrument, a "lead" guitar for solos, another for rhythm, and a "bass" guitar to play bass lines.
Hear the Guitar • Hear Flute & Guitar Duo
The guitar's roots are in Spain. Realistically, it cannot be traced back further than the 15th Century. It is thought to have been invented by the people of Malaga. This early instrument was a "four course" guitar, from which the ukulele is derived. The first guitars were very small, and were originally strung with four pair of strings. Each pair was call a course.
During the Renaissance, the guitar never had the respect the lute enjoyed. It was not considered a serious instrument. The first publication for guitar is thought to have been Alonso Mudarra's "Tres Libros de Musica en Cifras para Vihuela." Eventually, the guitar began to attract players, more publications and music began to appear.
During the During the Baroque period, A fifth course was added. Even more music became available. It's repertoire and the complexity of the music increased.
The fifth course was tuned in one of three ways.
- A low "A" as it is now.
- A low "A" plus an octave for the second part of the course
- Both strings an "A" an octave higher than the modern guitar.
At the end of the Baroque period two significant changes were made. The double strings were replaced by single strings, and instead of five pari, there were six single strings.
During the Classical period there were many publications, composers and performers. Fernando Sor, Mauro Guilliani, Matteo Carcassi, Fernando Carulli and many others wrote music, published methods and performed concerts. The guitar was very popular and guitar concerts were common.
Sor played the guitar as a solo instrument at the London Philharmonic Concert in 1817. In memoirs, George Hogarth stated: "He astonished the audience by his unrivaled execution." Paganinni was also active, playing and writing for the guitar as well as the violin. Stradivarius made guitars as well as violins.
At the end of the 19th century, the guitar had fallen out of favor, but was resurrected by Francisco Tarrega. His best piece in my opinion is the now very famous "Receurdos De La Alhambra." He did few public performances and chose to perform for friends at his home. He did compose, and he wrote a method for teaching guitar. He also transcribed many pieces of music for the guitar. Segovia was one of many guitarists that were influenced by him. Tarrega began the tradition of playing with the fingernails.
Up until this point the instrument itself was small and narrow. Antonio de Torres (1817 - 1892) worked with the design and construction of the guitar. He increased the size and experimented with anything that would improve the sound, and was especially interested in volume. He was the first maker to use "fan" bracing underneath the top. He once built a Guitar with a spruce top and paper mache back and sides to prove his theory that it was the top that produced most of the volume. He was the father of the modern guitar.
Some well known composers who played the guitar are Carl Maria Von Weber, Rossini and his wife, Verdi, and for many years Franz Schubert did his composing on his guitar which hung over his bed. He didn't have a piano at the time. Berlioz also composed the guitar.
Segovia performed, transcribed, taught and discovered a tremendous amount of music. He also encouraged many composers to write for the guitar. He was the first person to perform in a concert hall... Before Segovia, people believed this could not be done.
Although Segovia did all these things, the real debt that we owe to him is that of making the guitar truly a world instrument. By traveling and performing throughout the world, he brought respect and recognition to the instrument.
Nylon strings were a big improvement over gut strings. They replaced gut in 1946.
Today there are many concerts of guitar music. There are many societies and magazines devoted to the guitar.
Here follows a brief Timeline
- 1265 Juan Gil of Zamora mentions the early guitar in "Ars Musica.
- 1283-1350 Guitarra Latina & Guitar Moresca are mentioned multiple times in the poems of the Archpriest of Hita
- 1306 A "gitarer" was played at the Feast of Westminster in England
- 1404 "Der mynnen regein" by Eberhard Von Cersne makes reference to a "quinterne."
- 1487 Johannes Tinctoris described the guitarra as being invented by the Catalans. This refers to the four course guitar. Each course represents one pair of double strings.
- 1546 "Tres Libros de Musica en Cifras para Vihuela" by Alonso Mudarra is the first publication to include music for guitar.
- 1551-1555 Nine books of tablature were published by Adrian Le Roy. These include the first pieces for 5 course guitar. The addition of the fifth course was attributed to Vicente Espinel
- 1600-1650 Many publications of tablature for the guitar. It's popularity begins to rival the lute.
- 1674 Publication of "Guitarre Royal" by F. Corbetta increased the guitar's popularity. It was dedicated to Louis XIV.
- 1770-1800 A sixth string was added to the guitar and the courses were replaced by single strings.
- 1800-1850 Guitar enjoyed a large popularity both in performances and publishing. Fernando Sor, Mauro Guiliani, Matteo Carcassi and Dioniso Aguado all performed, taught, wrote and had published their compositions.
- 1850-1892 Guitar maker Antonio de Torres develops the larger more resonant instrument we know today.
- 1916 Segovia performs at Ateneo, the most important concert hall in Madrid. Before this it was thought that the guitar did not have the volume for this type of venue.
- 1946 Nylon replaces gut as a string material
The History of the Guitar
The guitar is a plucked stringed musical instrument that probably originated in Spain early in the 16th century, deriving from the guitarra latina, a late-medieval instrument with a waisted body and four strings. The early guitar was narrower and deeper than the modern guitar, with a less pronounced waist. It was closely related to the vihuela, the guitar-shaped instrument played in Spain in place of the lute.
The guitar originally had four courses of strings, three double, the top course single, that ran from a violin-like pegbox to a tension bridge glued to the soundboard, or belly; the bridge thus sustained the direct pull of the strings. In the belly was a circular sound hole, often ornamented with a carved wooden rose. The 16th-century guitar was tuned c-f-a-d', the tuning of the centre four courses of the lute and of the vihuela.
From the 16th to the 19th century several changes occurred in the instrument. A fifth course of strings was added before 1600; by the late 18th century a sixth course was added. Before 1800 the double courses were replaced by single strings tuned E-A-d-g-b-e', still the standard tuning.
The violin-type pegbox was replaced about 1600 by a flat, slightly reflexed head with rear tuning pegs; in the 19th century, metal screws were substituted for the tuning pegs. The early tied-on gut frets were replaced by built-on ivory or metal frets in the 18th century. The fingerboard was originally flush with and ended at the belly, and several metal or ivory frets were placed directly on the belly. In the 19th century the fingerboard was raised slightly above the level of the belly and was extended across it to the edge of the sound hole. In the 19th century the guitar's body also underwent changes that resulted in increased sonority. It became broader and shallower, with an extremely thin soundboard. Internally, the transverse bars reinforcing the soundboard were replaced by radial bars that fanned out below the sound hole. The neck, formerly set into a wood block, was formed into a brace, or shoe, that projected a short distance inside the body and was glued to the back; this gave extra stability against the pull of the strings.
The 19th-century innovations were largely the work of Antonio Torres. The instrument that resulted was the classical guitar, which is strung with three gut and three metal-spun silk strings. Nylon or other plastic was later used in place of gut.
Among variant forms of the guitar are the 12-stringed, or double-course, guitar, and the Mexican jarana and the South American charango, both small five-course guitars. Lyre-shaped guitars were fashionable in 19th-century drawing rooms. Other forms of the guitar include the metal-strung guitar played with a plectrum in folk and popular music; the cello guitar, with a violin-type bridge and tailpiece; the Hawaiian, or steel, guitar, in which the strings are stopped by the pressure of a metal bar, producing a sweet, gliding tone; and the electric guitar, in which the tone depends not on body resonance but on electronic amplification.
The guitar grew in popularity during the 17th century as the lute and vihuela declined. It remained an amateur's instrument from the 17th to early 19th century. A few virtuoso guitarists, however, became known in Europe, among them Gaspar Sanz (fl. 1674), Robert de Visée (c. 1650-1725), Fernando Sor (1778-1839), and Joseph Kaspar Mertz (1806-56). Modern classical-guitar technique owes much to the Spaniard Francisco Tárrega (1852-1909), whose transcriptions of works by Bach, Mozart, and other composers formed the basis of the concert repertory.
In the 20th century, Andrés Segovia gave the guitar further prominence as a concert instrument, and composers such as Heitor Villa-Lobos and Manuel de Falla wrote serious works for it; others (e.g., Pierre Boulez) scored for the guitar in chamber ensembles.
The guitar is widely played in the folk and popular music of many countries. In jazz ensembles it is part of the rhythm section and is occasionally played as a solo instrument. In popular music the guitar is usually amplified, and ensembles frequently include more than one instrument, a "lead" guitar for solos, another for rhythm, and a "bass" guitar to play bass lines.
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